The year is 2026, and the sun is losing its luster, literally. In Phil Lord and Christopher Miller’s latest cinematic voyage, Project Hail Mary, we find Ryland Grace (Ryan Gosling) waking up on a spaceship with a serious case of "selective amnesia" and two very dead roommates. As his memories trickle back like a leaky faucet, he realizes he isn't a high-flying astronaut but a middle-school science teacher tasked with saving humanity from "Astrophages", tiny space-critters eating our sun’s energy. Directed by the duo behind The Lego Movie and 22 Jump Street, this 156-minute epic is a visual feast, thanks to the textured cinematography of Greig Fraser and a pulsing, ethereal score by Daniel Pemberton. While it has soared at the box office and garnered praise for its technical execution, the film hasn't escaped controversy. Some critics have called it a "messy space buddy comedy," while others are up in arms over the "unethical...
Engineer. MBA. Corporate guy turned Jesuit—now a student at Xavier's Institute of communications, strumming faith through films, music, and meaning. I'm Joshua D'souza SJ, journeying from concrete to contemplation.